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2008
CHARNWOOD ARTS.
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GATAFUNHO
The
exhibition is opened by the Chair of Leicestershire County Council and the Mayor
of Charnwood - here they greet Radoslaw Komenda one of the six exhibiting artists.
This
exhibition commemorates the 40th Anniversary of the student protests in Paris
in 1968.
'Protest’ is the second Charnwood Arts Pixel and Grain Gallery photographic
exhibition at Charnwood Museum in Loughborough. The exhibition showcases the
work of six contemporary Polish photographers who have all responded in their
own ways to the theme of ‘protest’ to commemorate the 40th Anniversary
of the student unrest in Paris in 1968. Each artist has interpreted the theme
in their own unique way - some through the documentation of protest in a very
literal way, others through providing a series of images which take the theme
into more personal areas of expression.
Jerzy Bucki has chosen to reference the position of children in relation to
the circumstances of the adult world which surround them. Swiatoslaw Wojtkowiak
has adopted a more literal photojournalistic approach which reflects his travels
and work in areas of the world where different forms of protest have become
part of the fabric of modern life. In contrast Rafal Bielawa has chosen a more
personalised view which depicts individual attitudes and responses related to
connecting to or placing barriers between self and the world. Cardiff based
Radoslaw Komenda challenges the conventional in photographic composition and
the mundane tramlines and defining actions of modern existence. Marek Locher’s
work is a protest in itself against the destruction of the industrial infrastructure
of Silesia. The work of Maciej Dakowicz depicts the living conditions and issues
affecting people in areas of the world where serious health issues and poverty
are endemic.
The idea for this exhibition stems from two relationships. Firstly, the international
relationships which have developed between photographers on web based creative
communities such as pbase, TrekEarth and flickr. Such sites have allowed the
unprecedented dissemination of photographic works world-wide and have brought
the work of professionals and dedicated amateurs alike under the critical eye
and critique of their peers. Most of the six contributing artists are committed
members of one or more of these sites. The second relationship is that of Charnwood
Arts with Loughborough University whose own Radar programme suggested the theme
of ‘Protest’ for the exhibition to tie in with live presentations,
workshops and processional work as part of the Charnwood ‘Heart of Three
Cities’ Festival.
Charnwood, in the UK East Midlands, has its own strong links with Poland - the
main town of Loughborough has a long and productive twinning arrangement with
the town of Zamosc in Eastern Poland. Many Poles settled in Charnwood after
the war and their community has become an integral part of the ever growing
diversity of the population of the borough. In the last two years the Polish
population of the borough has risen significantly with the arrival of many migrant
workers.
Charnwood Arts is keen to see further progression from this exhibition to initiate
a community arts project with the Polish community in the borough and already
these discussions have begun.
Kevin Ryan
Director – Charnwood Arts